Essays and Other Writing


References for Points of Articulation:
A Letting Go and a Reaching Towards

  • Avison, M. “The Quiet Centre Within,” interview by Sally Ito in Where the Words Come From: Canadian Poets in Conversation, Ed. Tim Bowling. (2002). Gibsons BC: Nightwood Editions, p. 160.
  • Brand, D. (2001). A Map to the Door of No Return. Toronto OM: Doubleday Canada.
  • Calling Cards: New Poetry from Caribbean/Canadian Women. (2005). Toronto ON and Kingston JM: Sandberry Press.
  • Daly, M. (1973). Beyond God the Father: Towards a Philosophy of Women’s Liberation. Boston: The Beacon Press, p. 67.
  • Feith, B. (2007). Shape #2 (blue) [Painting]. In Resonance: Poetry and Art. (2008). Toronto, ON: Sixth Floor Press, p. 35.
  • Kadish, K., & Standing, S. (1998-2000). The cape split cycle. Statewide Exhibitions Program. Virginia Museum of Fine Arts, Richmond, Virginia.
  • Late Mr. S. Soutar (1923, January 13). The Herald.
  • Miss Louise Kennedy Last September Society Bride (1939), October 2), The Daily Gleaner, pp. 15-16.
  • Olsen, T. (1978). Silences. New York: Delta/Seymour Lawrence, p. 44.
  • Senior, O. (2003). The Encyclopedia of Jamaican Heritage. Kingston, JM: Twin Guinep Publishers, p. 286).
  • Soutar-Hynes, M. L. (2001). the fires of naming. Toronto ON: Seraphim Editions.
  • Soutar-Hynes, M. L. (2006). travelling light. Toronto ON: Seraphim Editions.
  • Soutar-Hynes, M.L. (2008). In Long Dash Poets. Resonance: Poetry and Art. Toronto, ON: Sixth Floor Press.
  • Soutar-Hynes, M. L. (2010). Manuscript in final development for Dark Water Songs. Toronto ON: Author.